With 24–200 mm zoom, 1.0-type CMOS sensor, phase-detection AF, ultra-fast 0.03-sec. The Sony Cyber-shot DSC-RX100 VII point-and-shoot is a modest update to the RX100 VI, offering better autofocus and video stabilization for a bit more money. ... A mode dial … But how usable is it in practice, especially with the new longer zoom range? Hello, Since I started flying paramotor a few years ago I have been very keen to take photos of my experiences for sharing and memories. I also panned to follow fast subjects as they went past. Above: Sony RX100 Mark VI Panorama: tall. If you’re looking for more detail on the body, lens, continuous focusing and movie modes though, just scroll down this first page to find my extended tests. As noted earlier, the longer zoom range prevented Sony from including the built-in ND filter of earlier models, making the Mark VI less practical for filming video in daylight with motion-friendly shutter speeds. Within the Scene Selection, there are 13 pre-defined scene modes. But it worked fine for the RX100 VI images I tagged, and here’s one as an example from Gdansk in Poland. So while all three cameras start at roughly similar wide-angle coverage, both Lumix models zoom longer than the RX100 VI, reaching 250mm or 360mm. Wifi on the RX100 VI allows you to wirelessly transfer JPEG images to an iOS or Android device using a free app, and also remote control the camera with your device. Sony RX100 Mark VI shooting modes. Now the full remote control functionality is ready to go out of the box, and there’s also no confusing duplicate menus to tend with. It is also worth remembering that Sony is keeping most of the older models on the market, which means that you can find a RX100 III for half the price. First you’ll need to pair the camera and phone, by enabling Bluetooth on the former and searching for it on the latter. Like the Mark V, there’s a 3in screen that can tilt up by 180 degrees to face the subject, although it can now tilt down further by up to 90 degrees for easier framing of subjects directly below and it’s now finally touch-sensitive too – amazingly a first for an RX model. As an Amazon Associate I earn from qualifying purchases. Vertical-format movie recording. How to tag the location information on the images. To be fair, the depth-of-field at 200mm f4.5 isn’t massively shallow, so the new lens doesn’t pose too much of a challenge to the AF system, but at least it can be used with a high degree of success to record day-to-day action like active kids, pets or basic sports. ... up from 315 and 25 points with the VI. Once you begin to zoom the TZ100 / ZS100 into longer focal lengths, it becomes almost a stop slower than the RX100 VI, while the TZ200 / ZS200 is slower throughout its entire range. Wi-Fi and NFC Capability 8. Once selected, you should see the World / map icon on the RX100 VI’s screen change to indicate it’s connected and receiving location information, after which you should be good to go. If you’re shooting human subjects, you can make life easy for yourself by deploying the effective face and eye detection, the latter available in single and continuous autofocus modes, and now operating up to twice as fast as the Mark V. In use this felt a lot like the higher-end Alpha bodies, which isn’t surprising since many of the AF algorithms are shared, including High Density Tracking. Sadly there’s still no option to connect an external microphone and the switch to a longer zoom has meant sacrificing the f1.8-2.8 aperture and built-in ND filter of its predecessor. Some styles of photography where the subject doesn’t move can accommodate slower shutters, but others like video, sports or street require a minimum shutter speed and its there you’ll find the Mark VI inevitably having to deploy higher ISOs than its predecessors in low light. I tried my hands on this new compact camera by Sony for awhile and in this article, I am going to share a detailed review of Sony RX100 VI covering all of its pro and cons. The only issue, as with all smartphone solutions, is the accuracy being limited to the actual phone. Sensor: 20.1 MP 1-inch type stacked CMOS image sensor 2. The Sony RX100 Mark VII is the latest iteration of Sony's diminutive RX 100 series cameras. ZEISS® Vario-Sonnar® T* 28-100 mm F1.8-4.9 lens. Sony RX100 Mark VI shooting modes The RX100 VI’s mode dial offers the usual PASM modes, Auto, SCN, Sweep Panorama, Movie, Memory Recall and HFR, for the High Frame Rate modes. The NFC then instructs the camera and phone to connect (automatically taking care of network names and passwords), before then transferring the image and finally disconnecting. Sure the system may not be as responsive as the best touch systems out there, and Sony continues to inexplicably limit what you can do by touch in the menus and playback, but I’m just happy there’s now an easier way to move the AF area at all. The RX100 VI also gains Bluetooth over its predecessor, allowing it to inherit the seamless location-embedding capabilities of recent Alpha bodies. Moving on, the RX100 VI offers full manual control over exposures with the choice of filming in Program, Aperture Priority, Shutter Priority or full Manual. The slower aperture at 24mm and loss of the ND filter make the RX100 VI less desirable for vlogging than its predecessor. The RX100 VI’s mechanical shutter offers the same exposure range as its predecessor: 1/2000 to 30 seconds plus Bulb. Proxy recording is also now available. Note none of these pocket cameras are weather-proof, although underwater housings are available. Sony RX100 VI at 200mm f4.5. Remember that’s giving you 19 full resolution pictures to choose from every second, with around 16 or 17 of them being perfectly sharp in this particular test. Across a selection of bursts I found the RX100 VI did a good job at keeping the approaching subjects in sharp focus. As stated above, the Sony Cyber-shot RX100 V was released in 2016. Next check out my sample images, quality results or head to my verdict! 20.2MP 1.0-type Exmor™ CMOS sensor. ISO Auto This range gives the Mark VI considerably greater reach than the 24-70mm of its recent predecessors and finally brings some competition to Panasonic’s Lumix TZ100 / ZS100 and TZ200 / ZS200 models, and while the new Sony doesn’t share their optical reach, its aperture is brighter and autofocus more effective for tracking action. Remember this is something which eludes most rival compacts, so if you’re looking for a compact that can capture action, the RX100 VI should be on your shortlist. In this beginner oriented video tutorial I will go over Slow Motion Video, or High Frame Rate Mode (HFR) as Sony calls it, using the Sony RX100 VI.I will also show some examples of what the camera can do in the real world using the HFR feature at various frame rates. As before you can set the drive mode for bracketing to Single or Continuous, and like the Mark V there’s no need to hold the shutter release down to capture the entire burst. I have demonstrations of the autofocus for movies and vlogging in my first-looks video review at the top of this page, but for now wanted to concentrate on the camera’s ability to track and capture action for stills. Previously shifting the AF area was a convoluted process with multiple button presses, but now it involves nothing more than a simple tap. With the RX100 VII, you can record in vertical orientation and the … Sony’s working hard to alleviate this though and quotes the RX100 VI’s sensor as having an Anti Distortion Shutter. Do you edit your pictures on your desktop? A RAW file saves all information the Sony RX100 VII pixels register during shooting and will make for better quality images if you want to edit in something like Adobe Lightroom. Once you’re remote-controlling your camera, you’ll be able to see what it sees, adjust the shutter speed and aperture (depending on which exposure mode the camera’s in), tweak the exposure compensation, the sensitivity, white balance and drive mode. This would have been easy to achieve on the earlier Mark V by simply enabling the ND filter from a menu, but on the Mark VI you’d need to either fit a third party filter solution or wait until the conditions became dimmer – or of course put up with the choppy footage from a shutter that’s too fast for video. Other notable improvements to the Sony RX100 VI include a faster auto-focusing system that offers better subject tracking and the addition of the popular Eye AF mode, a touch panel LCD screen for the very first time on an RX-series camera, and an expanded tilt-angle screen which can be rotated 180 degrees upwards or 90 degrees downwards. To put this to the test I shot a variety of straight vertical subjects using a panning motion which, with an electronic shutter, would normally result in the line leaning to one side. Unlike its predecessor though, the RX100 VI misses out on downloadable apps to expand the camera’s functionality. At 10.6 ounces, it … Now, this little camera is absolutely awesome, but one of the reasons that you would spend this kind of money, is so that you get the pro controls that you deserve, and you’re not going to get those unless you shoot in manual mode. The following are settings to use for different scenarios. Meanwhile the newer Lumix TZ200 / ZS200 packs a 24-360mm f3.3-6.4 zoom with a closest focusing distance of 3cm. Olympus handles this much more sensibly with its ART filters, which are only applied to JPEG files, leaving the RAW file (if enabled) as a backup, and even lets you grab all (or a selected bunch) of the ART filters in one go with ART filter bracketing. One SD card slot 9. Allows you to shoot with the exposure adjusted automatically (both the shutter speed and the aperture value (F value)). 1. Photographer can roll the mode dial to choose one of the modes to take a photo. The prices are similar but the VI might receive more instant rebates in the near future. A mode dial sits on the top of the camera, which you can reach with your thumb for quickly switching between the various modes on offer. The RX100 VI’s new touchscreen also allows you to pull-focus by tapping the screen, and again the transitions are smooth and mostly avoid the hunting and overshooting of rival contrast-based systems. Since size is often what determines whether someone brings a camera with them or simply uses their phone, it’s worth pointing out that the RX100 is shorter than a Samsung Galaxy S9 — although, it’s a lot thicker. The opportunity is there for someone to take the lead. Alternatively if you’ve paired the camera and phone over Bluetooth, you can simply tap Connect to Camera from the app, or fire-up a QR code for your phone to scan. Bluetooth and NFC make the initial connection a breeze, while Bluetooth can additionally retrieve location information from your phone and embed it automatically in your images. Under the Location Information Linkage option you’ll need to set the camera that will receive the GPS data and there on the list you should see the RX100 VI which you previously paired. The big new feature of the Mark VI is its lens, starting at the same 24mm equivalent focal length of its predecessors, but now extending way beyond their 70mm telephoto to a much longer 200mm. I used it for most of my outdoor shooting with the RX100 VI and it worked a treat, successfully embedding co-ordinates as I shot and never requiring further interaction. Far from it. Noise. You can, of course, shoot for panoramas in any camera by shooting a sequence of still images and stitching them together in panorama stitching software.But newer digital cameras, with their advanced chips built right into the camera body, offer some … The RX100 VI can be found for around $1100, whereas the mark VII model starts from $1200. Above: The control layout will be familiar to owners of previous models: on the flush top surface there’s a dedicated mode dial, shutter with zoom collar and power button, while on the rear are a selection of small buttons surrounding a thumb wheel. You may also enjoy my blog about taking the RX100 VI across Europe in my Sony RX100 VI travel photography article! As before, the phase-detect AF system works alongside a contrast-based system for speed, accuracy and low light capabilities, although interestingly Sony’s resisted upgrading it from the previous 25-area system of the Mark V to the finer areas of the latest Alpha bodies. Copyright © Janet & Daniel's Traveling and Photography, Janet & Daniel's Traveling and Photography, 漫遊九洲福岡4天之旅 (Kyushu-Fukuoka 4 days City Walk). For example, when filming with the RX100 VI on an average overcast day at the lowest sensitivity and maximum f2.8 aperture, I needed a shutter speed of 1/250 to balance the exposure, when what I really needed for good-looking motion was a shutter speed of, say, 1/50 for 25p video or 1/60 for 30p video. The successor to the RX100 V, it has a similar 20 Megapixel 1in sensor with certain stage distinguish self-adjust for stills and motion pictures, 4k video, … Sony RX100 VII – Turn the mode dial to M for Manual Mode Let’s also put my camera in manual mode. As before, you can start filming video in any relevant mode by simply pressing the red record button, but by first putting the camera into the Movie mode, it’ll preview the composition frame and unlock more control. But unfortunately Sony also used the apps to deploy timelapse, interval and bulb timer functionality, none of which have been integrated into the RX100 VI’s menus yet. Sony quotes the RX100 VI as being able to shoot at up to 24fps with continuous autofocus for bursts of up to 233 Fine JPEGs – that’s almost ten seconds of full resolution action at a video frame rate. To find out, I photographed cyclists approaching me over a long stretch, using the lens set to 200mm f4.5. Even after several generations of development though, you should take Panoramas with relative care on the Sony cameras – you have to get the panning speed just right and it’s also worth taking a few backups in case, upon closer examination, the stitching on one isn’t quite as convincing as you’d hoped. Photographer can roll the mode dial to choose one of the modes to take a photo. Today is the day that everybody started receiving it if they purchased it. On the upside, I don’t miss having to register with PlayMemories, login using the camera and update core apps before even getting started. For example, this one is under Camera #2, page 9. Above: Sony RX100 VI at 24mm f2.8 and close to minimum focusing distance, Above: Sony RX100 VI potential for shallow depth of field: 24mm f2.8 left, 200mm f4.5 right. I really noticed it when vlogging in dim interiors with the Mark VI where the higher ISO resulted in less detailed footage than the Mark V under the same conditions. A new mic input, 4K HDR (HLG) video and tilting touch screen make it an equally great choice for video work and vlogging. Overall, the Sony RX100's form factor is excellent, with a tight build, aluminum body, and high-quality, responsive buttons and dials. Jpeg images will also have in-camera noise reduction applied, something you might or might not want to take care of yourself later, depending on y… As before, the mechanism means there’s no room for an eye cup which in turn means you may need to shield the view from bright lights with your hand, but in a very welcome upgrade, the Mark VI gains the one-motion popup and push-down action of the RX1r II which is much quicker and more convenient in use. This may seem a big change, but knowing photographers behaviour this is a rarely used dial, which will largely be set in the same position depending on the photographer’s preferred mode. ZEISS® Vario-Sonnar® T* 28–100 mm F1.8–4.9 lens. UHD 4K video at 30p and 24p along with 1080p slow-motion capture 7. We have collected amazing photos from all over the world that showcase captures on Sony cameras and lenses. With all the processing power it has on board, you’d expect the RX100 VI to be an exceptionally snappy performer, and in most respects it delivers. The Mark VI impressively maintains the f4 focal ratio between 40 and 109mm after which it reduces to f4.5 for the rest of the range up to 200mm. You can adjust the aperture, shutter, ISO, exposure compensation and even the AF mode while filming. 3-inch rear touchscreen LCD 6. I'd get mine at Adorama or at B&H. I’ve been requesting this feature for years and it’s taken six generations of RX100 models for them to finally catch up, but at last the feature is here. Since then, a newer model has been released – the Sony Cyber-shot RX100 VI.We have compared these two models so you can understand if it is worthwhile to pay extra for the newer model. As before, there’s also a programmable smooth ring around the lens. Sadly there’s also still no microphone input, nor any means to connect one wirelessly (perhaps via Bluetooth) or via USB. I remain concerned how Sony will deploy features (like an interval timer) which were previously provided by downloadable apps, but I’m relieved you no longer need to jump through hoops just to get the remote control working. You will need a few key accessories to make it happen, but the benefit is well worth it. You’ll also notice it in any low light situation where the minimum shutter speed to avoid camera shake or motion blur has been reached. Another change from the RX100 to the ZV-1 is the removal of the ‘Mode’ dial, which has been replaced with a Mode button next to the camera power button. I’ve been shooting with a final production RX100 VI over an extended period of two months, first in new York, then back at home in Brighton before then taking it on a five week road-trip across Europe. Sony remains the only company to offer a 1in sensor camera with phase-detect autofocus and it really gives them an advantage when it comes to tracking moving subjects or smoothly refocusing during movies. The lens aperture is also a stop slower across the 24-70mm range of its predecessors which means vloggers will almost certainly prefer using the previous RX100 V instead; see my Sony RX100 V review for more details. As it stands, vloggers will have to continue to use an external sound recorder, like a Zoom H2n or a Rode SmartLav+ for smartphones. On the whole, the wireless capabilities of the RX100 VI are very good. Sony RX100 VI – Performance. With regards to the 4K video, what Sony did here was somewhat clever. Above: Sony RX100 VI coverage at 24mm (left) and 200mm (right). Above: As before the 3in screen can angle up by 180 degrees to face the subject for selifes or vlogging; again a lower strip of the screen remains blocked by the top of the body, preventing you from seeing the settings, but the compositional area is fully visible. Today I have the Sony RX100 Mark VI, and we’re going to talk about the Top 10 settings that I changed on the camera first. To be fair the previous models weren’t great in that regard, but if you’re shooting between 24 and 70mm, the Mark VI won’t be able to deliver as much blurring in the background. Set the mode dial to the desired function. The Mark VI also inherits the electronic shutter option introduced on the Mark IV. The D-R menu is where you’ll find the Dynamic Range Optimiser (DRO) and in-camera HDR options, the former available in Auto or set Levels of one to five, and the latter available as Auto or in increments of one to six EV. You can also apply a selection of Picture Profiles which now include S-Log 3 and Hybrid Log Gamma HDR in addition to S-Log 2. If so, set to RAW or RAW+jpeg. It's joined by the typical zoom rocker switch, shutter release, Mode dial, and On/Off button on the top, with the remainder of the controls on the rear, to the right of the tilting display. Anyway, back to the RX100 VI. Selecting either configures the RX100 VI as a Wifi access point which your phone needs to connect to. The Sony Cyber-shot DSC-RX100 is a 20.2 megapixel compact camera announced on 6 June 2012. The SCN mode on the dial lets you choose from 13 presets, including the usual suspects like Portrait, Landscape and Sunset, but also including the composite Handheld Twilight and Anti Motion Blur modes which take a burst and combine them to reduce shake and noise. The Sony RX-100 Mk VI is the evolution of 2016's RX100 Mark V, adding a longer zoom lens while keeping the same tiny size and weight as the old model!The only gotcha is that this new lens is 1⅓ stops slower than the more limited lenses of the older versions. All words, images, videos and layout, copyright 2005-2020 Gordon Laing. Impressively Sony’s managed to squeeze the new lens into a body that’s only 1.8mm thicker and 2g heavier than the Mark V, although there are some understandable compromises as a result. Also see my Sony RX100 VI 1080 50p sample movie. Sony’s engineers tell me they’re hard to implement on longer zoom ranges which is why the facility was also dropped when the RX10 extended its range on the Mark III and IV versions. Can it be used to realistically capture action? For those who complain a f2.8-f4.5 is "slow", they should compare to what OSS lenses are available for SLRs and mirrorless and their cost. Digital Still Camera DSC-RX100 How to Use Before Use Names of parts Checking the camera and the supplied items [1] Identifying parts [2] Icons and indicators List of icons on the screen [3] ... Mode Dial Guide [134] Pwr Save Start Time [135] Demo Mode [136] HDMI Resolution [137] CTRL FOR HDMI [138] USB Connection [139] USB LUN Setting [140] The Sony RX100 VI is a pleasure to hold in the hand, it can easily fit in a pocket and be used one handed. This may deliver a smaller image than larger mirrorless cameras, but remains incredibly useful for framing in bright conditions while also providing greater stability. Sony RX100 VI Settings Tom Niemann, ePaperPress.com . The availability of nine frame bracketing is an impressive addition to a compact. I found the Slow and Slower options generally selected shutter speeds one or two stops slower than the Standard setting, while Fast and Faster selected shutter speeds one or two stops faster. The Sony Cyber-shot DSC-RX100 VI ($1,199.99) is essentially the RX10, but smaller.It covers the same zoom range as Sony's first 1-inch bridge … Above: Sony RX100 VI HDR: disabled (left), 3EV enabled (right). Meet the Sony RX100, an award-winning compact digital camera named best compact camera and capture the best moments of our life with professional quality. Within the Auto Mode, Intelligent Auto and Superior Auto modes are available for selection. So far so similar to the Mark V, but in a huge upgrade, you can now adjust the single AF area positions by touch using the touchscreen. For cyclists riding without helmets – careful there! Like previous Sony cameras you can choose between Standard and Wide for the size, and Right, Left, Up or Down for the direction. Like the higher-end Sony mirrorless cameras, you can also tweak the focal-length-aware option, encouraging the Mark VI to deploy slower or faster shutter speeds than the usual one-over-focal length rule suggests. 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